போர் உலா | Journey to Battle | Chapter 1
பனிக்காற்று ஊ ஊ என வேகமாக வீசீ அடித்துக்கொண்டிருந்தது.
The cold wind, as if howling, blew fiercely battering everything.
Words, phrases, meanings and grammar
The wind arrives with urgent force — howling, battering, restless. Its cry fills the landscape with motion, not random but primal, as if some untamed presence were sweeping through. This opening moment charges the air with intensity, casting the environment not as passive backdrop but as participant. In Tamil literary tradition, wind often acts as a messenger or provocateur — here, it stirs the threshold between alertness and uncertainty. The reader is placed not in calm but in the very heart of elemental agitation.
பனிக்காற்று (pa-ni-kaah-trru)
Cold wind
Compound noun; பனி (Pani) means “snow” or “cold,” and காற்று (Kāṟṟu) means “wind.”
ஊ ஊ (oo-oo)
Howling (or wooing) sound
Onomatopoeia (expressions that imitate natural sounds). This mimics the sound made by the wind, creating a vivid image of its intensity.
என (eh-na)
As if
Particle; indicates “as” or “like.”
வேகமாக (vae-ka-maa-ka)
Fiercely / Rapidly
Adverb
Describes the intensity or speed of an action, emphasizing urgency or force. In this sentence, it modifies the verb வீசீ (blew) to convey the strong and rapid motion of the wind.
வீசீ (vee-see)
Blew
Verb (past tense).
அடித்துக்கொண்டிருந்தது (ah-dhi-thoo-kon-dhi-run-tha-thu)
Was battering
Verb past continuous tense, ongoing action in the past: Verb Root: அடி (adi) – To hit, strike, or batter; Past Tense Form: அடித்து (adi-thu) – Hit; Continuous Aspect: கொண்டிருந்தது (kon-dhi-run-tha-thu) ongoing action in the past.
ஊ ஊ என (oo-oo eh-na)
As if howling
Combines the onomatopoeia (ஊ ஊ) and particle (என) to form a simile, giving the sentence a descriptive and imaginative quality.
வேகமாக வீசீ (vae-ka-maa-ka vee-see)
Blew fiercely
This phrase paints an evocative image of a gusty wind.
பால்போலத் தெறித்த வெண்ணிலவை முகில் சூட்டங்கள் வெட்டியோடின.
The clouds pursued and cut through the white moonlight flowing out like milk.
Words, phrases, meanings and grammar
The landscape pulses with a triple tension. First, the wind — wild and unrelenting — has shaken the air into a state of agitation. Then, the moonlight appears: not reactive, but serene, pouring out like milk, steady and luminous. Its presence is soft yet purposeful, maternal and sacred, as Tamil poetics often portray — invoking divine compassion and ancestral grace. But even this luminous calm becomes a site of conflict as the clouds surge in, dark and purposeful, slicing through the scene like intruders. They don’t drift; they pursue. Their aggression contrasts not only with the moonlight’s softness but also reflects a continuation of the wind’s unrest, now channeled into a new threat.
This celestial composition sets up more than beauty — it mirrors a moral and spiritual polarity. Wind, moonlight, and cloud are not passive elements but characters in a quiet war of temperament and intention. Malaravan’s worldview unfolds here: that local spirit and resilient light stand not against one force, but against layered incursions. The moonlight holds — not as a static presence, but as a stabilising clarity amidst chaos. In this moment, we sense how stillness resists not by withdrawing, but by radiating.
பால்போலத் (Paal-pola-th)
Like milk
Adverbial phrase; combines பால் (Paal) “milk” with போல (Pola) “like/as”. -த் (th) suffix connects this word to the next word.
தெறித்த (Theriththa)
Flowed out
Verb (past participle).
வெண்ணிலவை (Venn-nilavai)
The white moonlight
Noun; வெண் (Veṇ) “white” modifies நிலவு (Nilavu) “moonlight”, which becomes வெண்ணிலவை with the suffix -ஐ (-ai) making it the object of the action.
முகில் (Mugil)
Clouds
Noun.
சூட்டங்கள் (Soot-tan-gal or Koot-tan-gal in some dialects)
Vigorous pursuit/chase
Plural Noun; சூட்டை (Sootai) “pursuit/chase”, ங்கள் (angal) plural suffix
வெட்டியோடின (Vetti-yoadina)
Cut through and pursued
Compound verb (past tense); வெட்டி (Vetti) “cut through”, ஓடின (Oadina) “pursued or ran away”.
Subject and object of the sentence:
Subject: முகில் சூட்டங்கள் (Mugil koottangal) “Cloud pursuits” (referring to clouds chasing or moving swiftly).
This is the doer of the action.
Object: வெண்ணிலவை (Venn-nilavai) “The white moon” (the target of the action).
– The suffix “-ஐ (-ai)” in வெண்ணிலவை marks it as the object, meaning it is being affected
விரைவாக அவற்றைக் கலைத்துவிடு நிலவு வெளியே வந்து சிரித்தது.
Quickly dissolved them the moon came out and smiled.
Words, phrases, meanings and grammar
The narrative shifts — from elemental pursuit to a quiet revelation of strength. The moon responds with radiant presence. Its smile is a statement of enduring power drawn from a deeper cosmic order.
Juxtaposed against the earlier wildness of the wind and the pursuing darkness of the clouds, the moon stands as a third force: calm but unyielding, maternal but invincible. In Tamil poetics, such light often signals not vulnerability but sanctified strength — a lineage of protection, clarity, and ancestral affirmation. In dissolving the clouds, the moon reveals a higher force: one sourced from emotional clarity, intuitive knowing, and the luminous weight of memory.
This moment further reveals Malaravan’s worldview, acknowledging that true resilience arises from what has nurtured life across generations. His world is not naive; it’s spiritually fortified. The smile of the moon is a symbol of conviction: that what is maternal, clear, and rooted will not only survive the storms, but command their retreat.
விரைவாக (Viraivaaga)
Quickly
Adverb.
அவற்றைக் (Avatrrai-k)
Them
Pronoun (object form).
கலைத்துவிடு (Kalaiththu-vidu)
Dissolved/dispersed
Compound Verb; கலைத்து (Kalaiththu) “to disperse/dissolve” combined with விடு (vidu) “to let go or release”.
நிலவு (Nilavu)
The moon
Noun; subject.
வெளியே (Veliyai)
Out / Outside
Adverb.
வந்து (Vandhu)
Came
Verb (past tense).
சிரித்தது (Sirith-thathu)
Smiled
Verb (past tense).
கிழக்குவான ஓரத்தில் கொஞ்சம் கரு முகில்கள் தொட்டந் தொட்டமாய் சிதறிக்கிடந்தன.
At the edge of the eastern sky, a few dark clouds were scattered unevenly.
Words, phrases, meanings and grammar
The eastern sky, a direction often associated with birth, beginning, and divine emergence, now carries the faint touch of disturbance. The clouds aren’t heavy-handed yet — they “touch,” they “scatter,” suggesting hesitation, but also intention. There’s something probing about them, as if testing the boundary between what has passed and what is about to unfold.
Placed after the triumphant smile of the moon, this moment introduces dissonance. The light has reclaimed its place, but shadow is never far — lingering, fragmented, unresolved. The juxtaposition is quiet but potent: a sky illuminated yet intruded upon, a clarity followed by a whisper of doubt. The word “தொட்டமாய்” underscores this — not full presence, but reaching, grazing.
This atmosphere reflects Malaravan’s attunement to pattern and omen. He doesn’t declare foreboding outright — he lets the reader feel it. The scattered dark clouds become subtle indicators of inner and outer tension: signs that something has stirred in the heavens and the world below is not untouched. In his cosmology, nature doesn’t simply describe—it anticipates.
கிழக்குவான (Ki-la-kku-vaana)
Eastern sky
Noun; combines கிழக்கு (Ki-la-kku) “east” and வானம் (Vaan-am) “sky”.
ஓரத்தில் (Oo-ra-thil)
At the edge
Noun phrase; ஓரம் (Oo-ram) “edge, border” with -த்தில் (-thil), a locative case suffix meaning “at/in the edge of”.
கொஞ்சம் (Kon-jam)
A little, few
Quantifier; denotes a small amount or number.
கரு (Ka-ru)
Dark, black
Adjective; describes colour or tone.
முகில்கள் (Mu-gil-gal)
Clouds
Plural noun; முகில் (Mu-gil) “cloud” + -கள் (-gal) plural suffix.
தொட்டந் (Tho-tta-n)
Scattered
Past participle; related to the verb தொட்ட (Tho-tta) “to touch lightly, be unevenly present”.
தொட்டமாய் (Tho-tta-maai)
Unevenly
Adverb; derived from தொட்டம் (Tho-tta-m) “unevenness” with -ஆய் (-aai), an adverbial suffix.
சிதறிக்கிடந்தன (Si-tha-ri-ki-dan-tha-na)
Were scattered
Past tense verb; சிதறி (Si-tha-ri) “to scatter” combined with கிடந்தன (Ki-dan-tha-na), indicating past action.
தொட்டந் தொட்டமாய் (Tho-tta-n Tho-tta-maai)
Unevenly scattered.
This is an adverbial phrase, describing how the clouds appear in the sky.
நட்சத்திரங்கள் அங்கொன்றும் இங்கொன்றுமாய் தூங்கித் தூங்கி விழித்துக் கொண்டிருந்தன.
The stars, scattered here and there, kept drifting between sleep and wakefulness.
Words, phrases, meanings and grammar
The stars flicker with a kind of dreamy alertness — gently unsettled. Their movement echoes the inner state of the travellers on this Journey to Battle: pulled toward rest by the night’s hush, yet nudged awake by the pull of the journey. The repetition in “தூங்கித் தூங்கி விழித்துக்” casts a rhythmic spell, capturing the ebb and flow of alertness — a hovering presence more than a deep sleep. The stars are like companions feeling the same rhythm, pausing in readiness before action arrives.
நட்சத்திரங்கள் (Naṭ-cha-thi-ran-gal)
Stars
Plural noun; நட்சத்திரம் (Naṭ-cha-thi-ram) “star” + -ங்கள் (-ngal), a plural suffix.
அங்கொன்றும் (Ang-kon-rum)
One there
Adverbial phrase; அங்கு (Ang-ku) “there” + ஒன்று (On-ru) “one”, modified with -ம் (-m) to indicate an indefinite, scattered presence.
இங்கொன்றுமாய் (Ing-kon-ru-maai)
One here
Adverbial phrase; இங்கு (Ing-ku) “here” + ஒன்று (On-ru) “one”, with -மாய் (-maai), which acts as an adverbial suffix.
தூங்கித் (Thoon-gith)
Drowsily
Adverbial participle; derived from தூங்கு (Thoon-gu) “to sleep/drowse” with -இத் (-ith), making it continuous or descriptive.
தூங்கி (Thoon-gi)
Dozing
Past participle; form of தூங்கு (Thoon-gu) “to sleep lightly, doze off”.
விழித்துக் (Vi-li-thuk)
Waking up
Adverbial participle; விழி (Vi-li) “to open eyes, awaken”, modified with -த் (-th) + -உக் (-uk), forming a participle that connects with the next verb.
கொண்டிருந்தன (Kon-di-run-tha-na)
Were in the state of
Past continuous verb; கொண்டிருக்க (Kon-diruk-ka) “to be in a state of”, conjugated in the plural past tense.
அங்கொன்றும் இங்கொன்றுமாய் (Ang-kon-rum Ing-kon-ru-maai)
Here and there, scattered about.
This is an adverbial phrase, describing the uneven distribution of the stars.
தூங்கித் தூங்கி (Thoon-gith Thoon-gi)
Drowsily dozing.
This is another adverbial phrase, emphasising the stars’ sleepy, flickering nature.
விழித்துக் கொண்டிருந்தன (Vi-li-thuk Kon-din-tha-na)
Were waking up and continuing to do so.
This is a verb phrase, indicating continuous or repeated action.
வானில் இடையிடையே இராக குருவிகள் பறந்தன.
In the sky, now and then, raga-singing sparrows flew about.
Words, phrases, meanings and grammar
With the soft flutter of sparrows, the sky gains a voice. Not just sound, but rāga — a Tamil classical melodic framework infused with emotion, season, and time — suggesting that even the birds are attuned to the atmosphere’s mood. This isn’t random flight. It’s choreography woven with feeling. In Tamil tradition, rāga is more than music; it carries psychological depth, often linked to devotional expression and inner states of being. So when sparrows “sing rāga,” the sky becomes a canvas for spiritual texture — playful, yes, but also intuitive. Their sporadic appearance reflects a world responding in fragments: sometimes with song, sometimes with silence. It subtly echoes Malaravan’s worldview, where nature isn’t passive backdrop, but a sentient companion, expressive and interwoven with human emotion and fate. The sparrows act like flying mantras — flickers of mood, memory, and spiritual hum — across a landscape poised between beauty and unease.
வானில் (Vaa-nil)
In the sky
Locative noun phrase; வானம் (Vaa-nam) “sky” + -இல் (-il), a locative suffix meaning “in/on the sky”.
இடையிடையே (I-da-yi-da-yey)
Now and then, intermittently
Adverbial phrase; இடையில் (I-da-yil) “in between” modified with -யே (-ye) for emphasis, giving the sense of something occurring at intervals.
இராக (I-ra-ka)
Raga-like
Adjective; refers to the musical quality of the birds’ chirping, reminiscent of a raga—a melodic framework in Tamil classical music.
குருவிகள் (Ku-ru-vi-gal)
Sparrows
Plural noun; குருவி (Ku-ru-vi) “sparrow” + -கள் (-gal) plural suffix.
பறந்தன (Pa-ran-tha-na)
Flew
Past tense verb; பறக்கு (Pa-rak-ku) “to fly” conjugated in past tense with the plural ending -ன (-na), indicating multiple subjects.
ஆட்காட்டி ஒன்று அவலமாய்க் கத்தியபடி கடந்துபோனது.
A pied cuckoo, screaming miserably, passed by.
Words, phrases, meanings and grammar
The gentle spiritual tension of the sky — drowsy stars, raga melodies, scattered clouds — suddenly splits. The Pied Cuckoo enters not like the sparrows, not intermittently, not harmoniously. It screams. The verb “அவலமாய்” intensifies its cry: not just loud, but anguished, unsettling.
Juxtaposed against the sparrows’ raga, this cry is an emotional rupture. Where the sparrows offered structured, sacred melody, the Pied Cuckoo gives raw feeling — ancestral, jagged, possibly prophetic. The contrast is stark: melody vs distress, music vs omen.
Placed at this moment in Journey to Battle, the bird feels like a signal. Not dramatic yet, but cutting through the poetic stillness like a thread of urgency. The environment, until now unfolding in gentle metaphors and intuitive echoes, suddenly registers something sharper.
In Tamil symbolism, birds are often messengers. And here, the Pied Cuckoo doesn’t fly for beauty, it flies with grief. Its path, and its cry, begin to gather the atmosphere toward something more decisive.
ஆட்காட்டி (Aat-kaat-ti)
Pied Cuckoo
Noun; the name of a bird known for its distinctive call and migratory nature.
ஒன்று (On-dru)
One
Numeral; indicates a singular entity.
அவலமாய் (A-va-la-maai)
Miserably
Adverb; derived from அவலம் (A-va-lam) “misery, suffering” with -ஆய் (-aai), making it an adverb.
கத்தியபடி (Ka-thi-ya-pa-di)
Crying out loudly, screaming
Adverbial phrase; கத்து (Ka-thu) “to shout, cry out” modified with -யபடி (-ya-pa-di) meaning “in the manner of shouting”.
கடந்துபோனது (Ka-dan-thu-po-na-thu)
Passed by, went by
Past tense verb; கடந்து (Ka-dan-thu) “to cross, pass” combined with போனது (Po-na-thu) “went”, indicating movement.
“உது கத்துறது சூடாது எங்கிறவ எங்கட அப்பு நெடுகச் சொல்லுவார்.
"Our father always used to say that piercing scream was a bad sign.
Words, phrases, meanings and grammar
The memory doesn’t float; it anchors. A listening presence absorbs this familial refrain not as superstition but as spiritual scripting. Whoever hears this is shaped by it — the repetition creates readiness, preparing the intuitive ground within the listener long before the moment of reckoning arrives. That readiness, though unnamed, grows more vivid with each retelling.
உது (u-dhu)
That / That one
Colloquial form of அது (a-dhu); used as a demonstrative pronoun in this dialect.
கத்துறது (kath-thu-ra-dhu)
Piercing scream
Present participle; கத்து (kathu) = scream/shout, -றது (-radhu) forms a verbal noun (“the act of screaming”).
சூடாது (soo-dhaa-dhu or koo-dhaa-dhu)
Is a bad sign / Isn’t auspicious
Negative verb form; சூடு (soodu) = heat/intensity, -ஆது (-aathu) = negation. Figuratively implies something inauspicious.
எங்கிறவ (eng-gi-ra-va)
He who says / One who says
Colloquial contraction of என்று (endru) = said that + இருப்பவன் (iruppavan) = he who is — a relative clause.
எங்கட (eng-ga-da)
Our
Colloquial possessive; condensed from எங்களுடைய (engaludaiya).
அப்பு (ap-pu)
Father
Regional variant for அப்பா (appa); respectful and affectionate.
நெடுகச் (ne-du-kach)
Far and wide / Always
Adverb indicating reach or repetition over time or space.
சொல்லுவார் (sol-lu-vaar)
Used to say / Says
Habitual/future respectful verb form; சொல் (sol) = say, -வார் (-vaar) = third-person honorific. Often conveys habitual action in past or present.
“அவற்ற தேப்பன் வண்டிலில வெளிக்கிடேக்க உது குறுக்கால போனதாம.
"One day, when his father went out in his cart, they say that bird crossed his path.
Words, phrases, meanings and grammar
The bird intersects motion at a threshold moment — not for symbolism alone, but for remembrance. The story has clearly taken root in the speaker, shaping the way they perceive patterns and crossroads. There’s a quiet internalisation happening here — they become keeper of this lore, now aligning with its energy.
அவற்ற (a-vat-ra)
His / that one’s
Colloquial demonstrative; refers back to the previously mentioned person.
தேப்பன் (thep-pan)
Father
Interpreted here as a dialectal or contextual substitute for “Appa” or “Thatha.”
வண்டிலில (van-di-li-lila)
In the vehicle/ in the cart
வண்டி = cart/vehicle; -இல் = in; -இல் duplicated in dialect. May imply motion or location.
வெளிக்கிடேக்க (ve-li-ki-de-ka)
Go out
வெளி = outside/open; கிடைக்கும் = to occur/be; here used idiomatically to describe emergence or visibility.
உது (u-dhu)
That one / it
Colloquial form of அது; storytelling marker that resumes the subject.
குறுக்கால (ku-ru-kkaa-la)
Sideways / diagonally
Adverb; குறுக்கு = across; -ஆல் = by/with; describes how the bird moved.
போனதாம் (po-na-dhaam)
Apparently went / they say it flew
போனது = went/flew; -ஆம் = hearsay marker used to indicate second-hand information, common in oral storytelling.
அவற்ற தேப்பன் வண்டிலில (a-vat-ra thep-pan van-di-li-lila)
Suggests the scene where grandfather is in or near his cart—on the move, departing home.
“அப்பவும் ஆத்தை சொல்லச் சொல்ல நல்ல வெறியில வெளிக்கிட்டுப் போனவராம்.
"Even then, while grandmother kept warning him, he apparently went out, in a frenzy.
Words, phrases, meanings and grammar
We begin to sense not just memory but a soul grappling with cycles. The grandmother’s voice is echoing through generations and the speaker is absorbing both the warning and the failure to heed it. The intoxication becomes more than literal; it’s a metaphor for that moment when spiritual clarity falters, and history rushes in.
அப்பவும் (ap-pa-vum)
Even then
Temporal adverb; அப்ப = then, -வும் = also/even. Adds continuity and emphasis.
ஆத்தை (aa-thai)
Grandmother
Colloquial term for father’s sister or grandmother; here clearly used as “grandmother” based on narrative context.
சொல்லச் சொல்ல (chol-la-ch chol-la)
Repeatedly warned / kept saying
Repetitive verbal structure; சொல்ல = to say, repeated for emphasis. Implies urgent or persistent action.
நல்ல வெறியில (nal-la ve-ri-yila)
In strong madness / intoxicated
Figurative locative phrase; நல்ல = strong, வெறி = frenzy or madness (can mean drunkenness), -இல் = in. May denote emotional, impulsive, or intoxicated state.
வெளிக்கிட்டுப் (ve-li-ki-ttu-p)
Go out
Verb compound; வெளி = open, கிட்டு = to touch/reach, -ப் = connector for verbal flow. Describes stepping out or emerging.
போனவராம் (po-na-va-raam)
He apparently went
Compound: போனவன் = he who went, -ஆம் = hearsay particle, used in storytelling to indicate “they say.”
அப்பவும் ஆத்தை சொல்லச் சொல்ல (ap-pa-vum aa-thai chol-la-ch chol-la)
“Even then, as grandmother kept warning him…”
Temporal + repetitive clause. Suggests emotional urgency and caring concern.
நல்ல வெறியில வெளிக்கிட்டுப் (nal-la ve-ri-yila ve-li-ki-ttu-p)
…intoxicated, he stepped into the open…”
Locative idiom expressing mental/emotional state. Can imply recklessness, drunkenness, or spiritual frenzy.
“விடியக்காத்தால பக்கத்து ஊராக்கள் சவத்தைத்தான் கொண்டு வந்தவையாம்.
"By dawn, people from the neighbouring village were the ones who apparently brought the corpse.
Words, phrases, meanings and grammar
Dawn marks exposure — where what moved through intuition now enters the visible world. The body, delivered by outsiders, becomes a symbol of consequence: not just of death, but of energies ignored, signs missed, and voices bypassed. The tone stays gentle, but the arc closes with a weight that reverberates through collective remembering.
விடியக்காத்தால (vi-di-ya-kaa-thaa-la)
By the time dawn broke / at daybreak
Compound time phrase; விடிய (dawn) + காத்து (wait/keep watch/expect) = waiting for dawn, -ஆல் = because / by means of.
பக்கத்து (pak-ka-ththu)
Nearby / neighboring
Adjective; பக்கம் = side, -த்து = modifier; conveys proximity.
ஊராக்கள் (oo-ra-kkal)
Villagers / townspeople
ஊர் = village, -ஆக்கள் = plural noun suffix (“people”).
சவத்தைத்தான் (sa-va-thai-th-thaan)
The corpse itself
சவம் = corpse, -த்தை = accusative, தான் = emphasis (“indeed,” “just that”).
கொண்டு (kon-du)
Bringing / carrying
Verb participle; from கொள் (“to take”) in its past participle form.
வந்தவையாம் (van-da-vai-yaam)
Were the ones who came, apparently
Plural hearsay form of வந்தவர் = those who came, -ஆம் = hearsay suffix (“they say”).
“ஏதோ வண்டிலால இழுத்துப் போட்டு அடிச்சிட்டுதாம்,” என்று வலு ‘சீரீயசாய்’ சொன்னான் வசந்தன்.
“Apparently, somebody dragged him off the cart and beat him (to death),” Vasanthan said, very seriously.
Words, phrases, meanings and grammar
This line grounds the symbolic in the stark. What was foretold by the pied cuckoo’s cry — that haunting omen — now arrives as verbal fact. Vasanthan, now named as the speaker, uses the vagueness of “ஏதோ” to shield himself from the full violence, without softening its truth. His hesitancy mirrors the pain: he knows, but cannot yet bear to know fully.
The Tamilized adverb “சீரீயசாய்” makes emotional restraint audible, giving shape to trauma. And the brutality — dragged off a cart and beaten — is not merely harsh, it is the manifestation of all intuitive signals that preceded it. This is the moment where spiritual knowing enters physical finality. The journey through signs, memory, and quiet dread closes in a body, a wound, a death.
ஏதோ (Yetho)
Someone / something unclear
Indefinite particle; conveys uncertainty about the subject.
வண்டிலால (Van-di-laa-la)
From the cart / using the cart
வண்டி = cart, -ஆல் = by means of; instrumental case.
இழுத்துப் போட்டு (Izhu-ththu poa-ttu)
Dragged and threw / pulled down
Verb compound indicating forceful action; இழுத்து = pulled, போட்டு = dropped or threw.
அடிச்சிட்டுதாம் (a-di-ch-chit-tu-thaam)
Apparently beat him
அடி = to hit; past perfect with hearsay suffix -தாம் (“they say”)
என்று (en-dru)
Said
Quotative particle used to report speech
வலு (va-lu)
Strongly / forcefully / seriously
Adverb indicating emphasis or intensity of tone
சீரீயசாய் (see-ree-ya-say)
“Seriously” (Tamilized English)
Phonetic adaptation of the English word “serious” used in spoken Tamil
சொன்னான் (Son-naan)
He said
Past tense verb with masculine subject marker
வசந்தன் (va-san-than)
Vasanthan (person’s name)
Proper noun; the speaker
